Unlike The Wolf of Wall Street’s unending carnival of misbehavior, Spring Breakers asks more interesting questions, and is stronger for it.

Upstream Color is beautiful, complex, and hard to stop thinking about. Whether Carruth earned that success with the work itself, or its mystique and cultural standing compelled me to build a critical case on its behalf, I’m still not sure.

Can’t name a classic comedy of 2012? Try a write-in candidate from last year that seems to have slipped under most people’s radar: the minor-league hockey comedy, Goon.

The Master asks big questions about what it means to believe or be believed. But does it deserve the reverence?

Chronice’s use of cameras does little to outweigh the multiple awkward exchanges it causes, and yet remains a solid entry in the superhero genre.

Brian has the pleasure of being a guest on The Brad Bogner Show to talk movies (Red State, Drive), books (Bossypants, Zombie Spaceship Wasteland, Shakespeare), and other assorted topics.

Why shocking Asian imports like I Saw The Devil deserve to be seen.

Toy Story 3 is typical Pixar greatness. But a few odd details stand out to the adult viewer.

An epic virtual discussion of our absolute favorites of 2010 — in every category we could think of — and why each one made the list.

No matter which side of the geek fence you fall on, ‘Scott Pilgrim’ is still a movie that needs to be seen — mainly because its visual style is unlike anything out there.