Unlike The Wolf of Wall Street’s unending carnival of misbehavior, Spring Breakers asks more interesting questions, and is stronger for it.

Upstream Color is beautiful, complex, and hard to stop thinking about. Whether Carruth earned that success with the work itself, or its mystique and cultural standing compelled me to build a critical case on its behalf, I’m still not sure.

Key & Peele push their sketches past the simple parody of Portlandia; and that willingness to go the extra distance, to find moments of universal, emotional truth in their comedy, makes them the best sketch show on television.

Can’t name a classic comedy of 2012? Try a write-in candidate from last year that seems to have slipped under most people’s radar: the minor-league hockey comedy, Goon.

The Master asks big questions about what it means to believe or be believed. But does it deserve the reverence?

Chronice’s use of cameras does little to outweigh the multiple awkward exchanges it causes, and yet remains a solid entry in the superhero genre.

Why shocking Asian imports like I Saw The Devil deserve to be seen.

Toy Story 3 is typical Pixar greatness. But a few odd details stand out to the adult viewer.

Not only is there a constant stream of TV of ‘now’ to be watching; all of the TV of ‘then’ is available too. For the obsessive pop-culture junkie, being well-versed could amount to a full-time job.

How misleading expectations basically subverted and nearly ruined what is otherwise a fascinating, provocative film.