Our special feature examining the past, present and future of the horror genre concludes this week by focusing on the best in recent horror films, and what they’re doing right.

Our series on the past, present and future of the horror genre continues. This week we look at the preponderance of terrible, terrible horror movies — by analyzing, in detail, a well-received horror movie from this year, why it is almost objectively terrible, and what basic rules of horror cinema it breaks.

Our special four-part series examining the past, present and future of the horror genre continues this week with Part II: The Lost Boys — How the most promising writer-directors in the field stopped making horror movies.

This month, we bring you a special four-part series examining the past, present and future of the horror genre, with a new article to be posted each week. This special feature debuts with Part 1: What Ever Happened to Rosemary’s Baby? — A Manifesto Regarding The Slow, Suspenseless Death Of Horror.

“Masters of Horror Taking on Comedy” betrays its embarrassing boardroom creativity. Here are three ways Microsoft could better serve their audience and build their service.